Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Monamy, Peter
The Surrender of the Spanish Fleet to the British at Havana

ID: 44763

Monamy, Peter The Surrender of the Spanish Fleet to the British at Havana
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Monamy, Peter The Surrender of the Spanish Fleet to the British at Havana


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Monamy, Peter

English Painter, 1681-1749 English painter. It seems likely that his family origins and name were French. The Painter-Stainers' Company records that he was apprenticed as a house painter to William Clarke from 1696, but by 1710 he had become a marine artist, filling the gap in the market left by the death of Willem van de Velde the younger in 1707. Most of his subsequent career was devoted to careful imitations of van de Velde's style (and, in some cases, of particular pictures), by which, according to Vertue, 'he distinguished himself and came into reputation'. He maintained his links with the Painter-Stainers, of which he had been made a freeman in 1703  Related Paintings of Monamy, Peter :. | British ships in Lisborn Harbour | Arrival of George II in England after a visit to Hanover | Stern view of the Royal Caroline | The Privafteer Squadron,known as the Royal Family | This is the second of Monamy-s personally executed engravings |
Related Artists:
Nicolas Regnier
Maubeuge ca 1590-Venice 1667
F.Rivoire
Fr.1842-1919
George Cooke
English Engraver, 1781-1849 Born in Maryland, Cooke abandoned a fledgling career in business at an early age in order to become a full time artist. After several years of painting portraits for a living, Cooke left for what would become a five year tour of Europe. His time there was mostly spent learning from and copying the works of the Renaissance master artists, with many of Cooke's copies being sent back to the United States for show or sale. After returning to the U.S., Cooke and his wife spent the next decade traveling and working with no fixed home. His work took him throughout the Southern United States, where he primarily made his living painting portraits of both famous and ordinary people, and, by the 1840s, his portraits had earned him both financial success and regional fame.






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